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Dr Christopher Crouch

Dr Christopher Crouch

Dr Christopher Crouch

Senior Lecturer

Telephone: (61 8)  9370 6338  
Email: c.crouch@ecu.edu.au   
Campus: Mount Lawley  
Room: ML17.206  

 

Staff Qualifications

  • Doctor of Philosophy, England, 1992 .
  • Master, England, 1984 .
  • Bachelor of Arts, England, 1975 .

Recent Publications (within the last five years)

Book Chapters

  • Crouch, C., (2010), Tradition and modernity in China. Contemporary Chinese Visual Culture: Tradition, Modernity and Globalisation, 1-16, New York.
  • Crouch, C., (2010), A Western perspective on Chinese painting. The new encyclopedia of Chinese Cultures: Sculpture and Painting , 328-334, Guangzhou.
  • Crouch, C., (2010), Architecture design and modern living. The Oxford Handbook of Modernisms, 618-634, Oxford.
  • Crouch, C., (2007), Afterword. Visual Literacy, 195-208, New York, USA.

Journal Articles

  • Pearce, J., Crouch, C., (2010), Lost in transmission: using study groups to provide space for creativity and reflexivity in an instrumentalist university environment. Higher Education Review, 43(1), 57-69, Croyden, UK..
  • Crouch, C., (2007), Praxis and the reflexive creative practitioner. Journal of Visual Art Practice, 6(2), 105-114.

Conference Publications

  • Crouch, C., Pearce, J., (2010), Research in the creative disciplines: from self expression to new knowledge. Proceedings of the 2nd Paris International Conference on Education, Economy and Society., 1(21-24 July 2010), 122-129, Strasbourg, France.
  • Price, A., Crouch, C., (2009), Devising A Standards Model For Assessing Design Work In Education. Cumulus 38 degrees South, Hemispheric Shifts Across Learning,Teaching and Research, 1(12-14 Novemeber), 750, Melbourne.
  • Crouch, C., Pearce, J., (2008), Democratic Pedagogies In Creative Disciplines: Sustaining Study Groups for Student Reflexivity and Praxis. Actes de la Conference Internationale Education, Economie et Societe., 1(17th - 19th July 2008), 473 - 483, Strasbourg.
  • Crouch, C., (2008), Narrative, Narcissism And Negotiation. ACUADS 2008 Conference: Sites of activity/On the edge, 1-9, Adelaide.
  • Crouch, C., (2007), Using praxis to develop research methods into personal creativity in the visual arts. Hatched 07: Discussion Papers, 28-31, Perth WA.

Creative Works

  • Allerding, A., Barstow, C., Blank, J., Crouch, C., Kaye, N., (2007), Identities/Hybridities. Representations of the Real (group exhibition) part of Biennale of Electronic Arts Perth, Spectrum Project Space.

Research Student Supervision

Principal Supervisor

  • Doctor of Philosophy,  The Transformation Of Line, Shape And Intention In Chinese Painting Since Xu Beihong And Lin Fenmian..
  • Doctor of Philosophy,  Less Realism: More Meaning. Evaluating Imagery For The Graphic Designer..
  • Doctor of Philosophy,  The Debates Surrounding Realist Painting And Their Relationship To My Creative Practive..
  • Master of Arts (Creative Arts),  Signing Off On The State..
  • Doctor of Philosophy,  The Import Of The Sensation Of The Abyss..
  • Doctor of Philosophy,  Re-presenting Gender Fluid Identity In A Contemporary Arts Practice..
  • Master of Arts (Creative Arts),  Examining Western Pattern And Placing It Into Contemporary Australian Art Practice..
  • Doctor of Philosophy,  Art And Consciousness In Light Of Maharishi Vedic Science.
  • Doctor of Philosophy,  The Dialectics Of Textile Hand Production: In Search Of Poetic Content: An Enquiry Into The Position Of The Traditional Textile Crafts.

Co-principal Supervisor

  • Master of Arts (Creative Arts),  Resisting Agression: Graphic Representations Of Disenfranchised Bodies..